History of Mexican Revolution Essay Example for Free

History of Mexican Revolution Essay The novel transports readers to a ghost town on the desert plains in Mexico, and there it weaves together tales of passion, loss, and revenge. The village of Comala is populated by the wandering souls of former inhabitants, individuals not yet pure enough to enter heaven. Like the character Juan Preciado, who travels to Comala and suddenly finds himself confused, as readers we are not sure about what we see, hear, or understand. But the novel is enigmatic for other reasons. Since publication in 1955, the novel has come to define a style of writing in Mexico. Sparse language, echoes of orality, details heavy with meaning, and a fragmentary structure transformed the literary representation of rural life; instead of the social realism that had dominated in earlier decades, Rulfo created a quintessentially Mexican, modernist gothic.. The haunting effect of Pedro Paramo derives from the fitful story of Mexican modernity, a story that the novel tells in a way that more objective historical and sociological analyses cannot. As an aesthetic expression characterized by imaginative understanding, the novel explores Mexican social history of the late nineteenth and early twentieth centuries. The decadent remnants of a quasi-feudal social order, violent revolutions, and a dramatic exodus from the countryside to the city all gave rise to ghost towns across Mexico. Pedro Paramo tells the stories of three main characters: Juan Preciado, Pedro Paramo, and Susana San Juan. From the point of view of Juan Preciado, the novel is the story of a sons search for identity and retribution. Juans mother, Dolores Preciado, was Pedro Paramos wife. Although he does not bear his fathers name, Juan is Pedros only legitimate son. Juan has returned to Comala to claim [j]ust whats ours, as he had earlier promised his dying mother. Juan Preciado guides readers into the ghost story as he encounters the lost souls of Comala, sees apparitions, hears voices, and eventually suspects that he too is dead. We see through Juans eyes and hear with his ears the voices of those buried in the cemetery, a reading experience that evokes the poetic obituaries of Edgar Lee Masters Spoon River Anthology (1915). Along with Juan Preciado, readers piece together these fragments of lives to construct an image of Comala and its demise. Interspersed among the fragments recounting Juans story are flashbacks to the biography of Pedro Paramo. Pedro is the son of landowners who have seen better days. He also loves a young girl, Susana San Juan, with a desire that consumes his life into adulthood. I came to Comala because I had been told that my father, a man named Pedro Paramo, lived there. —page 3 Although the story line in these biographical fragments follows a generally chronological order, the duration of time is strangely distorted; brief textual passages that may read like conversational exchanges sometimes condense large historical periods. Moreover, the third-person narrative voice oscillates between two discursive registers. On the one hand, poetic passages of interior monologue capture Pedros love for Susana and his sensuality; on the other, more exterior descriptions and dialogues represent a domineering rancher determined to amass wealth and possessions. Within this alternation between the first- and third-person narrative voices, readers must listen for another voice and reconstruct a third story, that of Susana San Juan. We overhear bits of her tale through the ears of Juan Preciado, listening with him to the complaints that Susana—in her restless death—gives forth in the cemetery of Comala. I was thinking of you, Susana. Of the green hills. Of when we used to fly kits in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. Help me Susana. And soft hands would tighten on mine. Let out more string. —page 12 Poetic sections evoke her passion for another man, Florencio, and Pedro never becomes the object of Susanas affection. Juan Preciado, Pedro Paramo, and Susana San Juan are all haunted by ghosts; in turn, they become ghosts who haunt the realities of others. They say that when people from there die and go to hell, they come back for a blanket. —page 6 Although as readers we have the sense of lives once lived by these characters, they emerge for us as phantasms, as partially known presences who are not immediately intelligible and who linger with inexplicable tenacity. Reading Pedro Paramo creates a transformative recognition of Mexicos move toward modernity in the early twentieth century; more than the objective lessons learned from social and cultural history, as a novel, Pedro Paramo produces a structure of feeling for readers that immerses us through the experience of haunting. As ghosts, Pedro, Susana, and Juan point outward to the social context of Mexico in the difficult movement toward modernization, toward social arrangements that never completely die as a newer social order is established. Pedros accumulation of land as a rancher harks back to the trends of capital accumulation during the benign dictatorship of President Porfirio Diaz (1876-1911). The Porfiriato strove to modernize the nation through the development of infrastructure and investment; it allowed for anomalies such as the creation of the Media Luna ranch and strong local power brokers such as Pedro Paramo who shared the interests of the elite and helped maintain a thinly veiled feudal social order. Within this context, Susana San Juan and other individuals murmur their complaints in ghostly whispers. Indeed, at one point, Rulfo planned to call the novel Los murmullos—the murmurs. Speaking in the streets of Comala, overheard in dreams, and groaning in the cemetery, these spectral murmurs bespeak a reality hidden beneath the facade of Porfirian progress. The Mexican Revolution of 1910-1920 gave expression to repressed peasants—the campesinos of rural Mexico—and put an end to the Porfiriato. Susana San Juan, in turn, reveals the repressed role of women in a patriarchal order. In this world women are chattel and ranch-owners can forcibly populate the countryside with bastard children by asserting feudal rights to the bodies of peasant women living on their lands. Peasant revolutionaries and Susana San Juan as well are all manipulated by Pedro Paramo. He can force events to keep them all in the places where he would have them, but he cannot control their desires and their pleasures. The peasants celebrate festivals, and after the revolution they eventually rebel again by participating in the Cristero Revolt of 1926-1929. Susana suffers guilt and remembers pleasure in evocative passages that underscore her erotic ties to Florencio, a man unknown to others in the novel, perhaps a dead soldier from the revolution, the man Pedro would have had to be in order to have Susanas love. The sky was crowded with fat, swollen stars. The moon had come out for a little while and then vanished. It was one of those sad moons that nobody looks at or even notices. It hung there for a little while, pale and disfigured, and then hid itself behind the mountains. -Juan Rulfo References Carol Clark DLugo, The Fragmented Novel in Mexico: The Politics of Form (Austin: University of Texas Press, 1997), 70-81. Patrick Dove, Exigele lo nuestro: Deconstruction, Restitution and the Demand of Speech in Pedro Paramo, Journal of Latin American Cultural Studies 10. 1 (2001): 25-44,

The Work of Cot and Renoir :: essays research papers

The nineteenth century produced a great number of art works from such artists as Pierre August Cot and Pierre-Auguste Renoir. Two major themes in these works include images fabricated from the real world and mirror images of everyday situations in life. Cot produced a pair of star struck lovers sharing a moment together in a hidden dugout enclosed by trees and shrubs while Renior recreated a midsummer’s day with a family enjoying an outing downtown. Each of these painting possesses an iconography in which the artist has contrived within his mind as the main theme to his work. This image is not intended to influence the viewer’s individual observation, but to embellish the work’s particular symbolism. Cot was a wonderfully gifted painter who applied remarkable use of proportional status when creating a two-dimensional painting. The only disadvantage about Cot is that his name is not well known. When this occurs, an artist and his work lack the media voice it needs to posses in order to advance among the inflections of those who do the observing. Therefore personal information is difficult to come across. His work can be classified under representational art. This form of art uses natural images that look very much like images in the natural world. His portfolio of artwork has not received the noteworthy recognition it so deserves. The Storm, created in 1880, is his only painting to have received praise from the world of art. To showcase another masterpiece completed by Cot, I chose to compare and contrast the composition of Le Printemps . This was also created in the same era and was influenced by images fabricated from the real world. The composition of this painting is quite complete; it includes actual lines, organic shapes, and the illusion of light.   Ã‚  Ã‚  Ã‚  Ã‚  Le Printemps grants the subconscious mind to drift into a fantasy-like state and the illusion of mortality merges with the illusion of realism. Cot portrays the young couple on a swing as his major element. The entire picture is based upon this element and with actual lines, the ropes of the swing and the immediate surrounding environment are defined as background major elements. Two large ropes are attached to a small wooden plank, containing the man and woman. Indentations can be seen where the man is holding on and the illusion of movement is understood. For the environmental elements, the large tree symbolizes the relationship it has with the swing as well as the direction in which the couple is swaying.

Pants

Systematic way of organizing and explaining observations B) hypothetical way of organizing and explaining characteristics of people C) systematic framework for creating a hypothesis based on data and experimentation D) framework based on one's psychological perspective 2. A hypothesis is best characterized as: A) a procedure that precedes a theoretical framework B) any phenomenon that can change from one situation to another C) a systematic way of organizing and explaining observations D) a tentative belief about the relationship between two or more variables .Variables that can be placed on a continuum, such as the degree of happiness or the amount of income, are referred to as: A) dependent variables B) independent variables C) categorical variables D) continuous variables 4. Any variable that is comprised of groupings or classifications such that a person must be in one group or another is referred to as a/an: A) dependent variable B) independent variable C) categorical variable D ) continuous variable 5. I am running an experiment in which my participants have a drink and then drive a car. To ensure that I have good results, my participants shouldA) try hard to drive well when in next in line B) be blind to the results C) be able to explain their observations D) have the same basic procedure so as to minimize unintended variations 6. A subgroup of the population that is likely to be representative of the population as a whole is known as A) a culture B) a sample C) a population D) a subculture 7. Good psychological research uses standardized procedures in order to: A) make sure that a representative sample is being used B) expose participants in a study to as similar procedures as possible C) ensure external validity D) ensure objectivity 8.In order to ensure that the findings obtained with your sample can be applied to the population, your study should involve which of the following? A) stratified sample of subjects B) external validity C) experimenter's di lemma D) all of the above 9. A test that yields relatively similar scores for the same individual over time has which ONE of the following types of reliability? A) test-retest reliability B) integrate reliability C) interim reliability D) contextual reliability 10. If two or more individuals agree on some dimension and give a participant the same score, then that study possesses: A) test-retest reliability 1.Validity is present when: A) the test measures what it is supposed to measure B) measurement reflects truth C) measurement reflects theory correctly D) the test measures the same way each time 12. With regard to face validity, which of the following is true? A) face validity refers to whether or not the measure looks like it measures what it purports to measure B) many researchers go out of their way to make sure their scale does not have face validity C) face validity is the least important type of validity 13.One of the best ways to obtain an accurate assessment off variable i s A) with face validity B) through central reliability C) by using multiple measures D) by using a representative sample 14. Which one of the following is NOT a type of descriptive research? A) case study B) naturalistic observation C) survey D) correlation study 15. A case study is: A) a survey of a person's likes and dislikes B) generalize with little effort C) the study of one individual in great depth D) appropriate for small groups 16.Possible limitations of the case-study method include: A) investigator bias B) small sample size C) lack of generalization 17. The major problem with survey methods is that: A) most people don't want to talk about themselves B) it is hard to question people in their natural environments C) they rely on participants to report on themselves truthfully and accurately D) all of the above 18. Before an experiment begins, the participant must agree to participate in the study.In other words, the participant must provide: A) substantial knowledge B) info rmed consent C) debriefing D) ethical knowledge 19. Debriefing a subject means: A) you briefly explain what will happen in the experiment before you begin B) you explain the purpose of the study and remove any stressful after effects after the artificial is finished C) you have the subject sign a document agreeing to be in the experiment D) you run through the experiment quickly with a participant for practice before you begin collecting data 20.I find that there is a +. 59 correlation between shoe size and intelligence. What can I correctly conclude? A) Having a bigger shoe size causes you to be more intelligent. B) Being more intelligent causes you to have bigger feet and, thus, a bigger shoe size. C) Exercise stimulates both physical growth (resulting in bigger feet) and intellectual growth (resulting in higher intelligence levels). D) Shoe size and

Social Media Marketing - 8145 Words

Evaluate the Effectiveness of Social Media Marketing on Hotels Jennie Russell 1. Abstract Purpose; The internet has forced companies to transform themselves to be more interactive, innovative and efficient as the online consumer is more active, demanding and in control; if unhappy about a service the hotel’s reputation c an be damaged as negative information posted online is instant and public; sharing their opinion with hundreds of thousands of potential customers. However, savvy marketers are increasingly using social media to let guests sell their hotels, which is authentic marketing at its best. Marketers need to implement dedication, time and resources in social media marketing to be successful and stay ahead of their†¦show more content†¦(Evans, 2009) Marketers have to ensure their content is beneficial to the hotel and their consumers; they should not perceive the hotels presence to be a nuisance. Large hotels like Hilton, Four Seasons Hotels Resorts and MGM Grand have fully integrated social media into their marketing strategy, but for most hotels the difficulty is not only where to begin, but who to use and what to do. Is it detrimental for a hotel not to use social media sites? Can it be detrimental if social media sites are used but not appropriately? The aim of this study is to evaluate the role of social media in hotel marketing. The objectives of this study are to; ï‚ · Evaluate how the internet has changed hotel marketing. 2|Page ï‚ · ï‚ · ï‚ · Assess the key activities involved in social media marketing. Evaluate the role of social media marketing within hotel marketing strategies. Develop recommendations for the effective use of social media marketing in hotels. 3. Literature Review Marketing Raza (2005, p 2) defines marketing as an ‘ongoing process comprising various co-ordinated activities a company must perform to develop and/or wanted product, bring it to the market, maintain it there and maximize the customers benefit.’ The customer is an integral part of the marketing process; marketersShow MoreRelatedMarketing : Marketing On Social Media Essay1428 Words   |  6 PagesMarketing on Social Media Maggie H. King Appalachian State University Currently 78 percent of United States residents have at least one active social media account. This statistic has increased nearly ten percent in the last two years, showing that social media is a critical communication tool (U.S. Statistic, 2016). Communication between businesses and consumers is vital for companies to generate profit and growth. A tweet, Facebook post, Instagram ad, or evenRead MoreSocial Media Marketing Essay887 Words   |  4 PagesSocial Media Marketing BUSB 340 Assignment #1 Dr. Vernon R. 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